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12 Reasons You Shouldn’t Freelance

Dream Office

Dream Office. Can you have one?

By Amy Weinberg

Going into busi­ness for the wrong rea­sons can bring ruin into both your finan­cial and pro­fes­sional life. While free­lanc­ing comes with many perks, it’s impor­tant not to base your self-employment deci­sion solely on those perks, as you may run your­self out of business.

What are some of these perks of freelancing?

  • You can choose your own hours
  • You can choose your own clients
  • You can choose the type of work you do
  • You can choose your rates
  • We’ve dis­cussed great rea­sons to start free­lanc­ing, but we haven’t really talked about why you shouldn’t start free­lanc­ing. Let’s take a look at some of the worst rea­sons to go into busi­ness for your­self. (more…)

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    10 Tips to Shoot Photos for Printing on Canvas at High Enlargements

    What is the max­i­mum print size of an image that will retain per­fect image qual­ity in a can­vas print?

    This depends on a num­ber of fac­tors like expo­sure, illu­mi­na­tion, cam­era shake, and resolution.

    But a sim­ple thumb rule will give you the idea about print size from your dig­i­tal image. Just divide the image length in pix­els by 70 and you will get the approx­i­mate print length in inches, and sim­i­larly for image width. So if your image size is 2800 pix­els by 2100 pix­els, you may expect an enlarge­ment up to 40″ by 30″.

    The megapixel count of your cam­era too can give a rough approx­i­ma­tion of the high­est print size at good qual­ity. A 5 megapixel cam­era, with an image size of 2580 pix­els by 2048 pix­els, will give you a 36″ by 28″ print at most. For a 7 MP cam­era (3072 pix­els by 2304 pix­els), the print size can go up to 44″ by 32″, whereas a 10 MP cam­era (3648 pix­els by 2736 pix­els) can let you shoot pho­tos for prints up to 48″ by 40″.

    (more…)

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    Digital Image Requirement for Best Canvas Print

    Example of High Quality Image for Canvas PrintingThe first thing that comes to mind when you think of print­ing your favorite photo on can­vas is whether the image has suf­fi­cient depth. There are ques­tions of res­o­lu­tion, color and detail. Does your image have enough to be ren­dered per­fectly on can­vas? After all, a giclée photo print on can­vas would not look good if the image itself turns out to be pixel­lated, would it?

    With apolo­gies to pro­fes­sional pho­tog­ra­phers and pho­tog­ra­phy enthu­si­asts, a large pro­por­tion of pho­tos peo­ple want to get printed are actu­ally spur of the moment can­did shots rather than metic­u­lously planned ones, espe­cially the snaps of our near and dear ones. Knowl­edge of the sub­ject and their moods, when they look best, and your pres­ence in those spe­cial moments make you a great pho­tog­ra­pher of por­traits of your loved ones. (more…)

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    Stretching Canvas

    Stretch­ing can­vas for your giclée can­vas prints is an art in itself

    Stretching of CanvasThe first thing that strikes you if you lay your hands on a can­vas ready for paint­ing is that it prac­ti­cally twangs like a tram­po­line. In fact the artist always inspects if it is taut enough before putting oil paint on it. Why does the can­vas have to be stretched?

    Why stretch can­vas?

    All art is meant to be dis­played for the viewer to admire. To dis­play can­vas it has to be held up by or mounted on some­thing. But can­vas, like all cloth, has gaps between yarns in the weave. As a result it is much more sus­cep­ti­ble to change of shape after the paint­ing is done. It could get wrin­kled espe­cially when the can­vas is made of cot­ton. (more…)

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    Picasso’s « The Actor » Damaged

    Picasso « the Actor »

    On Fri­day, Jan­u­ary 22nd, a woman lost her bal­ance in the Met­ro­pol­i­tan Museum of Art in New York, and fell into « The Actor » by Picasso.

    The can­vas, which is approx­i­mately 6 feet by 4 feet, was torn about six inches along the lower right-hand cor­ner. Fol­low­ing the acci­dent, the paint­ing was removed from the pub­lic so that experts could assess the damage.

    In a later state­ment released by the Met, “The dam­age did not occur in the focal point of the com­po­si­tion and the cura­to­r­ial and con­ser­va­tion staffs fully expect that the repair —which will take place in the com­ing weeks — will be unobtrusive.

    ” The Actor is a rare Rose period paint­ing from the win­ter of 1904 to 1905. It depicts an acro­bat that is the­atri­cally posed in a half akimo stance.

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